Regrowth

There must have been a moment. Just one instant when the forest was about to change. How that happened is for speculation. Lightning storms often visit this place — blasting down gigantic sparks powerful enough to ignite dead, brown leaves despite the accompanying rain.

Many cars also pass nearby on their way up or down the coast. On heavy, humid days when summer defeats even the best of car air-cons, a casual flick of a thumb and finger can lead to this. The last glow of tobacco launches into the rushing, hot air beyond an open window to find succour in the detritus.

Whatever the cause, the effect overwhelms all it touches. Fire cares not for species or intelligence. It just burns. All the while, brave, skilled humans stand against the roaring furnance in awe and respectful defiance. It is never completely defeated, though, just sometimes delayed. There will be more storms, more flicks of fingers and thumb.

What is left, when fire has moved on, is smouldering devastation. The shock and awe of flames and smoke are seemingly final. For a while, all survivors stand silent and defeated.

The nights immediately after fire are quiet. Even when wind rustles the scant leaves, it is with the sound of soft, tired sighs. No small animals scurry for food — no larger ones stalk ready to pounce.

The morning light shows earth burnt bare, stabbed all over with black sticks. Dark reminders of growth, of better times.

Within a few days, grasses sprout from the coarse, grey sand in exclamation points of green. That anything can grow here in such soil is a wonder. That the battered survivors can be so resilient is inspiring.

It is in the glow of afternoon light that beauty washes over this place. Nothing is forgotten, even when the evidence of devastation is so overwhelming. Just a little green, and the warmth of burnished bark, hinting at a tomorrow not imaginable only a few days ago.

A regrowth.

Paul Foley

Paul Foley is an Australian landscape and fine art photographer who believes a photograph isn't real until you can touch it.

Photography expresses his fascination with light and shadow. His eclectic collection of images reflects an inquisitive nature and constant search for interesting light.

After a 35-year career in commercial photography, Paul now explores the fleeting nature of light, free of the constraints of briefs and corporate mood boards.

Paul has been a finalist in the Galah Regional Photography Prize (2025) and National Photographic Portrait Prize (2011), selected to hang in several 'Mosman 2088' exhibitions and included in group exhibitions in Glasgow, Tokyo, Newcastle and China. He has also had individual and collaborative exhibitions in Sydney and Newcastle.

Paul lives in Newcastle, Australia.

https://www.paulfoley.com.au
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