Recently Released Fine Art Photography Prints
‘In my latest body of work, Seascapes - Coledale (2025), I continue my exploration of light, form, and place—an inquiry that has guided me throughout my practice. Each photograph is not only a record of the external world but also a reflection of the quiet rhythm of observation. I am drawn to those fleeting intersections where light and time transform the ordinary into something contemplative, even poetic.’
In his latest body of work, Australian fine art photographer Paul Foley deepens his long-standing fascination with the interplay of light, form, and place. For Foley, photography is a practice of slowing down and paying attention, of “finding pictures” in the quiet space between seeing and feeling. Each photograph functions both as a record of the external world and as a mirror of inner observation—an attempt to give form to the dialogue between environment and perception.
Foley is drawn to those moments when light and time seem to conspire to transform the ordinary into the extraordinary. His images are not only descriptions of what was seen but evocations of atmosphere, emotion, and rhythm.
The works are presented as carefully crafted, limited-edition prints intended to be lived with and revisited over time. Foley envisions them as contemplative spaces, offering viewers the opportunity to pause, reflect, and perhaps recognise something of their own connection to light, time, and place.
Having moved away from commercial photography, Foley now follows this process wherever it leads, guided by intuition and a desire to translate lived experience into image. Ultimately, Seascapes - Coledale (2025) is not only about the world Foley encounters but also about the way light allows us to encounter it: fleeting and enduring, precise yet mysterious, and always capable of surprise.
‘These prints, limited to editions of 5, represent more than moments I have witnessed; they are invitations to pause, to feel, and to see anew. Through them, I hope to share both the physical landscapes that inspire me and the inner landscapes of thought and emotion that arise in response.’